By Ian Hague
Attempts to outline what comics are and clarify how they paintings haven't continuously been profitable simply because they're premised upon the concept that comedian strips, comedian books and picture novels are inherently and nearly completely visible. This booklet demanding situations that premise, and asserts that comics is not only a visible medium. The e-book outlines the multisensory facets of comics: the visible, audible, tactile, olfactory and gustatory parts of the medium. It rejects a synaesthetic technique (by which all of the senses are engaged via visible stimuli) and in its place argues for a really multisensory version wherein the direct stimulation of the reader’s actual senses might be understood. quite a lot of examples demonstrates how multisensory communique platforms paintings in either advertisement and extra experimental contexts. The ebook concludes with a case research that appears on the works of Alan Moore and exhibits components of curiosity that multisensory research can draw out, yet that are ignored by way of extra traditional methods.
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Extra resources for Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels (Routledge Research in Cultural and Media Studies)
Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels (Routledge Research in Cultural and Media Studies) by Ian Hague
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