Download PDF by Dominique Jameux: Opéra Eros et le pouvoir : Monteverdi. Berg (Musique)

By Dominique Jameux

Sur quoi est fondé l’opéra ? Une seule histoire : l. a. Femme est un bien si précieux qu’il n’est de périls que l’Homme qui l’aime n’endure pour los angeles trouver, ou l. a. retrouver. Y compris l. a. mort, bien sûr. element subsidiaire, mais capital : le Héros dispose, pour accomplir son motion de conquête ou de récupération, d’une arme puissante, qui se renouvelle avec le temps : l. a. musique. Cette scenario primordiale s’articule à un moment volet : dans sa quête, le héros se confronte au pouvoir. L’opéra n’est alors plus seulement los angeles célébration du désir, mais aussi l. a. fascination du pouvoir. Orphée, chanteur, parti rechercher Eurydice aux Enfers, constitue l’archétype du Héros d’opéra. C’est d’ailleurs cette histoire qui constitue l’acte fondateur du style (Orfeo de Monteverdi, 1607). Ses nombreux avatars, évidents ou plus obscurs, forment un fil que déroule Dominique Jameux pour revisiter quelques pans d’histoire de l’opéra, jusqu’aux chefs-d’œuvre d’Alban Berg, Wozzeck et Lulu, en passant par Mozart, Verdi et Wagner.

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Opéra Eros et le pouvoir : Monteverdi. Berg (Musique) (French Edition) by Dominique Jameux


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