By Alexandra Harris
While the battles for contemporary artwork and society have been being fought in France and Spain, it has appeared a betrayal that John Betjeman and John Piper have been in love with a provincial international of outdated church buildings and tea-shops. during this multi-awardwinning booklet, Alexandra Harris tells a unique story.
In the Thirties and Forties, artists and writers explored what it intended to be alive in England. Eclectically, passionately, wittily, they confirmed that 'the glossy' don't need to be at conflict with the earlier. Constructivists and conservatives may possibly interact, or even the Bauhaus emigre, Laszlo Moholy-Nagy, used to be beguiled into taking photos for Betjeman's nostalgic Oxford collage Chest. this contemporary English renaissance was once shared by way of writers, painters, gardeners, architects, critics, travelers and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are a part of the tale, besides invoice Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.
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Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper by Alexandra Harris
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