By Stephen Orgel
their price. occasionally marks in books don't have any relation to the topic of the booklet, only names, dates, costs paid; clean areas have been used for pen trials and doing sums, and flyleaves are sometimes the repository of documents of varied forms. The Reader within the booklet bargains with that particular category of books
in which the textual content and marginalia are in severe conversation with one another, within which studying constitutes an lively and occasionally opposed engagement with the publication. the key examples are works which are both classics or have been classics of their personal time; yet they're obvious right here as contemporaries learn them, with no the advantage of centuries of remark and important tips. The underlying query is at what aspect marginalia, the legible incorporation of the paintings of analyzing into the text
of the publication, grew to become a fashion of defacing it instead of of accelerating its value-why did we need books to lose their history?
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The Reader in the Book: A Study of Spaces and Traces (Oxford Textual Perspectives) by Stephen Orgel
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