By Samuel Llano
In this publication, Llano analyzes the socio-political discourses underpinning serious and musicological descriptions of 'Spanish song' and the discourse's reference to French politics and tradition. He additionally reports operas and different musical works for the degree as privileged websites for the creation of Spanish musical identities, given the improved probabilities of functionality for cultural and demanding engagement. The examine covers the interval 1908 to 1929, whilst representations of 'Spanish track' within the writings of the hispaniste Henri Collet and different French musicians underwent numerous alterations, quite often sparked through the necessity to reformulate French identification in the course of and after the 1st international battle. finally, Llano demonstrates that definitions of 'French' and 'Spanish' song have been to some degree interdependent, and that the general public performances of those items even helped the musical group in France to begein to reformulate their notions of 'Spanish tune' and identity.
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Additional resources for Whose Spain?: Negotiating "Spanish Music" in Paris, 1908-1929 (Currents in Latin American and Iberian Music)
Whose Spain?: Negotiating "Spanish Music" in Paris, 1908-1929 (Currents in Latin American and Iberian Music) by Samuel Llano
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